André S. Labarthe Movies

A 1965 film by André S. Labarthe.

A peeping tom caught spying on a women's self-defense class is taken captive by the class leader. At first the class uses him as a training dummy,...

A retired Japanese ex-patriot living the life of a bohemian Parnassian painter in Paris loses his latest picture, and wanders into Belleville hoping...

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, never aired.

Discussion between the critics André S. Labarthe, Jean Domarchi and director Marc'O, on a film of Murnau.

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 24 November...

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime...

A traveller investigates the life and work of Georges Bataille. Through a staging of the writer's obsessive motives, the film succeeds in grasping...

Colour, form, area - this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der...

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime...

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, shown 12 October 2012.

This film portrays Robert Rauschenberg, an artist mixing pop art and abstract expressionism, who tells his story in front of André Labarthe's...

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, shown 12 October 2012.

In the “Prefaces” series, Labarthe takes us to discover the Polish writer Bruno Schulz. André S. Labarthe presents some drawings...

The space of the museum as the visitor travels through it is a long sentence of sleep. But if suddenly this sleep is interrupted, if this space is...

With Sollers, the absolute isolated, André S. Labarthe approached as closely as possible “the most recognized and the most fought, the...

Some thoughts and a hypothesis about the invention of the Close-up.

1965. We ring the doorbell of the Beverley Hills house where a forgotten filmmaker seems to spend his time reminiscing. His name is Rouben Mamoulian....

The film retraces the last two years of Antonin Artaud.